Imprinted in My Consciousness’: Why Gremlins 2: The New Batch Is My Feelgood Movie

“Well, the situation is pretty dire here. We’re advising all of our clients to invest all their resources into tinned provisions and hunting rifles.” This nugget of wise counsel comes from the Brain Gremlin – a genetically modified, talking, bespectacled member of the oozy monster mob that swarms Manhattan’s super-smart Clamp Tower skyscraper in helmer Joe Dante’s zany follow-up Gremlins 2: The New Batch. On the surface, it’s simply an investment tip from one monster to another. But, curiously, it’s also surprisingly sturdy life guidance. Seriously, listen to my reasoning.

When situations deteriorate, the biggest mistake you can do is take things too seriously. The Brain Gremlin grasps this. Actually, the majority of the dentally-gifted beasts that occupy Dante’s chaotic 1990 feature (debateably his greatest) possess the same sly, self-aware comic sensibility regarding the indistinct border separating daily routine and unadulterated chaos. It’s a single component of Gremlins 2: The New Batch that maintains my loyalty – and with the passage of time, it’s the underlying idea that echoes the loudest.

A Youthful Obsession

Naturally, my attachment to this movie didn’t start on such an introspective level. Growing up, we only had a few well-worn videocassettes at home. Part of that group were Gremlins and its sequel, the latter housed in a thick former-rental sleeve likely purchased from an independent video outlet and boasting snarling creatures on its knackered cover. I was immediately enamoured and these films wasted no time lodging themselves inside my small, malleable brain. After that point, they became an near-everyday part of my youthful watching schedule.

Dante’s initial installment usually receives all the plaudits, thanks mostly because of its reputation as a semi-scary seasonal fave – and to be fair, I’ve watched Gremlins more times than I can count. Nevertheless, its successor seldom receives the same level of high regard, which feels a travesty. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During long summer holidays, I’d seclude myself indoors and stick it on. When I acquired my personal TV-VHS combo unit, it remained on repeat in my bedroom. Over time, it ingrained itself in my mental framework. If my parents detected this preoccupation, they appeared unbothered.

Deeper Rewards and Cultural References

As I matured, new understandings enhanced frequent screenings, elevating the fun of watching diminutive verdant beasts happily vandalize a New York high-rise. I learned the future-focused property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon future president Donald Trump, with his red-headed employee Marla (Haviland Morris) echoing his one-time partner Marla Maples. Thankfully, Clamp demonstrates more humanity than his genuine article inspiration.

The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a real-life “Doomsday” video produced by the CNN boss Ted Turner in case the world truly faced apocalypse. I noticed how Dante made a special effort to film alternate cuts of a self-aware scene where Gremlins seize control of the actual feature in progress. One for cinemas, one for VHS and TV, each delivering a smirking slice of self-referential entertainment sorcery before the term was even a thing.

An Enduring Legacy

While it was creature designer Rick Baker’s fantastically vile creatures that drew my gaze as a child, this subsurface richness held my interest as an adult. Eventually, I even interviewed Dante about it myself and he had no hesitation telling me he made the movie with the direct intention of ridiculing those who loved its silly-yet-sincere predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he happily revealed. This Looney Tunes-esque insubordination and determination to not take his sequel as gravely as his Warner Bros bosses clearly wanted him to, only deepened my appreciation further.

When I went through a abrupt familial death earlier this year, I was surprised to find that, during my deepest grief, all I desired to do was sit and watch Gremlins 2: The New Batch. Weird, right? Possibly not. The soothing reminiscence it furnished was needed to weaken my mind’s sadness sludge – but the insights it had given me as an adult were similarly beneficial.

Like Gremlins rampaging through a genetics laboratory, there’s some things in life you just cannot manage. Dante is aware of it. The Brain Gremlin shares this wisdom. Sometimes, you have to emulate them: embrace the chaos, put everything you’ve got into tinned provisions and hunting rifles and try not to view the world with undue solemnity.

It’s strong life advice from a highly unexpected fountain – and it’s why Gremlins 2: The New Batch will forever remain my go-to cinematic solace.

Christopher Marshall
Christopher Marshall

Emma Hartley is a London-based design writer and curator, passionate about exploring the intersection of technology and art.